En esta página puede obtener un análisis detallado de una palabra o frase, producido utilizando la mejor tecnología de inteligencia artificial hasta la fecha:
ألاسم
أَشَر ; اِبْتِهَاج ; اِغْتِباط ; اِنْبِسَاط ; بَسْط ; بِشْر ; بَهْجَة ; تَهَلُّل ; جَذَل ; حَبَر ; حُبُور ; خِفَّةُ الدَّم , خِفَّة الرُّوح , خِفَّة الظِّلّ ; زِفَاف ; سُرُور ; طَرَب ; فَرَح ; فَرْحَة ; مَرَح ; مَسَرَّة ; هَشَاشَة
ألاسم
أَشَر ; اِبْتِهَاج ; اِغْتِباط ; اِنْبِسَاط ; بَسْط ; بِشْر ; بَهْجَة ; تَهَلُّل ; جَذَل ; حَبَر ; حُبُور ; خِفَّةُ الدَّم , خِفَّة الرُّوح , خِفَّة الظِّلّ ; زِفَاف ; سُرُور ; طَرَب ; فَرَح ; فَرْحَة ; مَرَح ; مَسَرَّة ; هَشَاشَة
Garrick Gaieties is a revue with music by Richard Rodgers and lyrics by Lorenz Hart, the first successful musical by this songwriting team.
It debuted in 1925 on Broadway and was the first of three Garrick Gaiety revues, which were subsequently produced in 1926 and 1930. The show parodied current subjects, such as the New York City Subway system and the Theatre Guild (producer of the show). The Garrick Gaieties is remembered as "bringing Rodgers and Hart their first major recognition." Their hit song "Manhattan" was introduced in this revue.